The Backbone of the Events Industry
For four decades, the concerts, the broadcasts and the festivals have been built here.
Start a ProjectAbout the Group
Stage Design is not just another supplier in the events industry. Stage Design is the backbone of the entire industry. Six specialist companies, more than 200 people, and the most complete build capability under one roof — scenery, stages, kinetics and automation, LED, scaffolding and fast-track structures. Irgunit, the group’s scenery house, has led the field since 1963 out of a 2,000 sqm workshop. Peletek has been installing Germany’s foremost scaffolding systems for 25 years.
Designers and artists arrive with something nobody has built before. Stage Design is where it gets built — at the scale the moment calls for, and to the standard it demands. Four decades in, the group has carried every kind of live production there is: arena tours, prime-time broadcast, state ceremonies, festivals, opera and theatre.
The Links That Make the Chain
Six specialist companies. One point of accountability for the entire build.
Stage Design
The parent company of the group. Builds stages, sets and event structures — the largest capability of its kind in the country.
Irgunit
Scenery Design & ConstructionFounded in 1963, a leading scenery house with over 60 years of experience. Specializing in set design and construction for events, TV studios, exhibitions, museums, theatre, and opera — from a 2,000 sqm manufacturing facility.
Peletek
Advanced Scaffolding Technologies25 years of expertise installing world-leading German scaffolding systems. A one-stop shop including planning, 3D renders, execution specs, installation, dismantling, and on-site coordination.
Pro LED
LED ScreensHigh-resolution LED displays and video walls for stunning visual presentations and immersive environments.
Kinetics & Automation
State-of-the-art motion control systems for dynamic stage elements and automated scenery changes.
Projects
Fast ConstructionRapid construction solutions for temporary and permanent structures with quick turnaround times.
Trusted by the Industry
Selected Work
A glimpse of what has already been built.
Frequently Asked Questions
Concerts and arena tours, television and live broadcast, theatre and opera, state ceremonies, festivals, exhibitions and brand events — at any scale, wherever the production is.
Four to six weeks covers a standard build. Large-scale productions are best secured two to three months out. Urgent timelines are absorbed as a matter of routine — fast-track construction is one of the group’s six links in that chain.
Yes. Pro LED covers indoor and outdoor displays, curved screens and custom formats, with consultation, technical design and on-site support included.
Motorised movement built into the set itself: flying systems, revolves, tracked scenery, automated curtains and moving structures — everything that turns a static build into part of the performance.
Yes. Every project opens with a site survey, and the build is engineered around the infrastructure already there. Where an upgrade would serve the production better, that recommendation arrives with the survey.
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The best professionals in the business — here for you.
